Often playing like outtakes from Dead Poets Society , Tolkien primarily focuses on the formative school years of the English author (portrayed by Nicholas Hoult), whose camaraderie with three other lads informs his views on friendship and loyalty.
Mostly Tolkien takes the shape of a sort of pre-WWI Dead Poets Society, in which young Tolkien the church orphan discovers a new kind of family in a gang of arts-obsessed schoolboys, one of whom will go onto become an actual dead poet.
Orphaned as a young boy, he develops a “Dead Poets Society”-ish group of friends at boarding school, and within their bonds finds the inspiration to study languages and culture that would later inform his writing.
But Karukoski occasionally tries too hard to juice up his fustier Dead Poets Society-esque stretches with fevered battlefield visions of German flamethrowers transforming into fire-breathing dragons.
More than once Tolkien put me in mind of Dead Poets Society, and there isn’t higher praise for a literary coming-of-age screen story.
A life as singular as John Ronald Reuel Tolkien’s shouldn’t feel as if it’s been crafted from outtakes of Dead Poets Society.