Thou Wast Mild and Lovely (2014)
Directed by Josephine Decker
The arrival of a handsome new farmhand threatens the balance between a farmer and his daughter.
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What critics compared Thou Wast Mild and Lovely to
Such films as Miranda July’s “The Future,” Terence Nance’s “An Oversimplification of Her Beauty,” Raúl Ruiz’s “Night Across the Street,” Leos Carax’s “Holy Motors,” Jafar Panahi’s “This Is Not a Film,” and (by pure coincidence, our most recent DVD of the Week) Agnès Varda’s “The Beaches of Agnès” point far ahead to a “new grammar” of narrative, or, rather, a reappraisal of narrative of the kind that Soderbergh proposes.