A young man travels to an isolated farm for his lover's funeral where he's quickly drawn into a twisted, sexually charged game by his lover's aggressive brother.
That sense of transference seems to solidify this idea of Tom at the Farm as Dolan’s ‘persona’ film, even daring enough to be deliberately reminiscent of Bergman’s existential nightmare Persona—even recalling certain imagery from the film and through dialogue (such as a scene that recalls the erotic tale Bibi Andersson tells to Liv Ullmann).
Cut to a string of God’s eye view shots of her car (presumably taken from the cutting room floor of Xavier Dolan’s Tom at the Farm ) and close-ups on her ringing phone, where a man named Ben tells her that one fight shouldn’t end a relationship.