It’s Frozen without the fun.
Anyway, it's like Frozen meets Tolkien meets Brian De Palma's Sisters, but not nearly as good as that sounds.
Freya, an ice queen whose powers clearly mirror those of Frozen ’s Elsa, leaves her sister’s kingdom and goes off to start a new kingdom of her own.
In a turn that not-so-subtly rips off “Frozen,” Freya realizes her full powers to command ice and snow when she is brutally spurned by her lover.
The carnage is all the more grisly when considered in the context of the film's narrative, which exists largely to cross Snow White with that most lucrative of contemporary fairy tales: Disney's Frozen .
It’s a move so nakedly calculating that it’s kind of endearing, because what follows is effectively a gritty take on Frozen in which the sisters are the villains.