Thelma (2024)
Directed by Josh Margolin
When 93-year-old Thelma Post gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her.
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The film takes its time with the story and never feels rushed in its telling, and the skills that Vogt’s displayed previously in Reprise and Oslo, August 31st — most notably an eye for sadness and beauty in equal measure — all come into play even as odd and unnatural elements are added into the mix.
The film operates on a similar wavelength as Edgar Wright’s Hot Fuzz, with normcore, high-octane action scenes centered around Thelma going to the post office, or sneaking around an old lady’s bedroom, or falling and not being able to get up.
The corridors of his home act like mini vignettes of the complex lives of the people inside that will never be fully known and may unintentionally evoke a few scenes from “Smile” (2022).