In 19th-century France, doctor's wife Emma Bovary seeks to escape her dull provincial life through various extramarital affairs and extravagant spending, leading to tragic consequences.
Cinematographer Andrij Parekh ’s melancholy images seamlessly combine muck and luxury, sometimes within the same image, in a way that’s reminiscent of Joe Wright ’s “ Pride and Prejudice ” and Thomas Vinterberg ’s “ Far From the Madding Crowd ” earlier this year.
If Madame Bovary finally has more in common with Joe Wright's Pride and Prejudice than Roman Polanski's Tess , it's because Barthes neglects to thoroughly conceive of Emma's plight, instead making only sporadic gestures to it.