Though Granik’s approach is reminiscent of the sensitive, stripped-down style of Kelly Reichardt’s work (“Wendy and Lucy,” “Certain Women”), by reteaming with Scottish cinematographer Michael McDonough (who shot not only “Winter’s Bone,” but also Terence Davies’ radiant “Sunset Song” and the gritty prison drama “Starred Up”), she creates a richer visual environment in which to dwell.
What prevents it from becoming a chore, besides the engulfing, unshowy vistas lensed by cinematographer Michael McDonough (“Sunset Song”), is an unspoken tension between the characters.
Shot by Michael McDonough (“Sunset Song”), these opening scenes establish the film as one that beautifully straddles the line between the realistic and the lyrical.