The film will not appear on favorite submarine film lists in the company of greats including “The Hunt for Red October,” “Crimson Tide,” “U-571,” “K-19: The Widow Maker,” “The Abyss” and “20,000 Leagues Under the Sea”.
What plays out is a fast-moving deep-sea caper that blends the intricacy of "Ocean's 11" with the intensity of "The Hunt for Red October" and the cautionary notes of "The Treasure of the Sierra Madre."
With a film legacy that includes Wolfgang Petersen’s 1981 German epic Das Boot, John McTiernan’s The Hunt for Red October (1990) and Tony Scott’s Crimson Tide (1995), the submarine has been the perfect setting for films that emphasize themes of mutiny, claustrophobia or conflict against nature.
From "The Enemy Below" and "Run Silent, Run Deep" to "The Hunt For Red October" and "Crimson Tide" by way of "Das Boot," the submarine thriller sub-genre has been a popular one for decades.
Perhaps Macdonald and Kelly sought to honor The Hunt for Red October by evoking aural memories of Sean Connery — dangerous to evoke memories of such illustrious precedents.