Had these two iconic works really been the object of the film’s quest, The Monuments Men might have played with the single-minded authority of Steven Spielberg’s Raiders of the Lost Ark, another obvious influence (right down to the final scene, a brazen theft of Spielberg’s visual uplift).
Clooney and his cast mates (Matt Damon, Bill Murray, John Goodman, Cate Blanchett, Bob Balaban, Hugh Bonneville and Jean Dujardin) make a fine-looking international ensemble, even if sometimes the movie’s star power, combined with overly familiar war-movie scenes, sometimes feels like Oceans 11 plus Saving Private Ryan divided by Raiders of the Lost Ark.
What might have been a "Raiders of the Lost Ark" period romp through or "Inglourious Basterds"-style re-imagining of World War II-era themes is instead a nostalgic but lethargic ode to conventional star-driven and old-fashioned storytelling.
Likewise, with composer Alexandre Desplat’s arrangements seeming to echo John Williams’ iconic score from Raiders of the Lost Ark early on, it’s easy to suspect that we’re in for a rousing adventure though war-ravaged Europe.
In this case, “old” encompasses propaganda films from the ’40s, all-star flicks such as “The Great Escape” from the ’60s and Steven Spielberg’s retro “Raiders of the Lost Ark” from 1981.
I don’t think so, because I was sorta hoping for something like Raiders of the Lost Ark meets Ocean’s Eleven, and this certainly does not qualify.