Directed by Jean-Marc Vallee (“Dallas Buyers Club”) from a screenplay by novelist Nick Hornby, the 1995-set film is an episodic outdoor solo trek in the vein of “Into the Wild” and the recent “Tracks.”
It’s reminiscent of two other recent films, “Into the Wild” and “Tracks.”
Back in September, Mia Wasikowska starred in Tracks , an adaptation of Robyn Davidson’s memoir about her solo trek across the Australian desert in 1977.
Wild is the third movie to be released this year about a woman who goes solo walkabout; there was also Tracks, based on another desert-hike memoir, and the underseen Redwood Highway.
Still, the film could face some competition from John Curran’s equally accomplished “Tracks” (set to open Sept. 19 Stateside), this year’s other adaptation of a bestselling woman-in-the-wilderness memoir, and it remains to be seen whether it can improve on the modest commercial performance of films like “Into the Wild,” “127 Hours” and “All Is Lost.”
One of the things that make Cheryl more complicated and compelling than the heroine of “Tracks” (this year’s earlier woman-schlepping-across-the-desert movie) is that, along the trail, she experiences every encounter with men as fraught with erotic possibility—or trepidation.