Jane Got a Gun (2015)
Directed by Gavin O'Connor
After her outlaw husband returns home shot with eight bullets and barely alive, Jane reluctantly reaches out to an ex-lover who she hasn't seen in over ten years to help her defend her farm when the time comes that her husband's gang eventually tracks him down to finish the job.
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What critics compared Jane Got a Gun to
At the same time, she’s seen projects go asunder in quite explosive ways, from the turmoil of Natalie Portman’s Jane Got A Gun to the complications surrounding her involvement with Peter Jackson’s Lovely Bones adaptation.
The gap in Ramsay’s CV is partly accounted for by a high-profile walk-out from Natalie Portman Western Jane Got A Gun .
(Her last slated film, Jane Got a Gun, got especially hairy, and Ramsay walked off the project before the first day of filming.)
Her surrounding world is a blend of fantasy and Western, vividly conjured up by cinematographer Mandy Walker ( Jane Got A Gun , Hidden Figures ).
Screenwriters Brian Duffield (Insurgent, Jane Got a Gun) and Adam Cozad (Jack Ryan: Shadow Recruit, The Legend of Tarzan) supply a bare-bones plot set in a massive, deep-sea facility, this time a sprawling, corporate-owned oil-drilling operation nearly 7 miles down in the depths of the Mariana Trench, where the water pressure is roughly 2 tons per square inch.
Screenwriters Brian Duffield ( Jane Got A Gun , The Babysitter ) and Adam Cozad ( The Legend of Tarzan ) bring a reasonable amount of thematic chew to the narrative.
Directed by William Eubank ( The Signal ) and written by Brian Duffield ( The Babysitter , Jane Got a Gun ) and Adam Cozad ( The Legend of Tarzan ), Underwater is a film that was negatively affected by Disney’s purchase of 20th Century Fox.