Take the “slob gets dream girl” framework of Notting Hill, add lashings of political satire, power dynamics, and a Boys II Men-heavy soundtrack, and you’ve got Long Shot – an often hilarious, occasionally uncomfortable rom-com for the liberal stoner crowd.
Whether you realize it or not, “Long Shot” is “Notting Hill” re-imagined.
Long Shot references Pretty Woman, but the Julia Roberts movie it most resembles is Notting Hill, in which a nobody (Hugh Grant) finds himself in a relationship with the world’s most famous movie star.
Take The American President, Notting Hill, and Pretty Woman and put them into a blender with some modern political subtext, copious amounts of illegal substances, and a handful of jokes about unfortunately timed erections and you’ll get Jonathan Levine’s Long Shot, a film that’s far more charming, sweet, and hilarious than I probably just made it sound.
“Long Shot” is not original – it has dashes of “Notting Hill” and “The American President” with updated pop culture references – but it’s propelled by some excellent jokes and a supremely talented cast.
This year he’s back with revenge, bringing not one but two films, the R-rated comedy starring 11-year-olds Good Boys, and Long Shot, a romantic comedy that’s a cross between Notting Hill and Veep.