Belgian director Michaël R. Roskam, making his U.S. debut after the Oscar-nominated Bullhead (2011), reprises the earlier film's seedy look and murky morality, though this time around he's got a much better screenplay, the first ever by much-adapted novelist Dennis Lehane (Mystic River, Gone Baby Gone, Shutter Island).
Director Michaël R. Roskam, following up his blunt, Oscar-nominated 2011 debut Bullhead, gives The Drop the same quiet, close-to-the-chest vibe Mad Dog has, with the same sense of anger in one corner, desperation in another, and sheer crazy in a third, all ready to come out swinging at any moment.
Imagine a mix of Hardy, the try-anything English star who incarnated the catarrhal monster Bane in The Dark Knight Rises and was the only person in-screen in Locke ; Rapace, a revelation as Lisbeth Salander in the Swedish Girl With the Dragon Tattoo trilogy ; Schoenaerts, who played the pathetic cattle farmer in Roskam’s first feature, the Oscar-nominated Bullhead , as well as Marion Cotillard’s therapeutic beau in Rust and Bone ; and Gandolfini the great, in his final film role.
In his first American film, Michaël R Roskam, the Belgian director of Bullhead, dares to emulate (or accidentally echo) one of the key relationships in US cinema.
Fortunately, director Michael Roskam (“Bullhead”) uses the opportunity to create a general mood, tone and look to the film that harks back to those great crime dramas of the ’70s despite not having a nearly as interesting a plot as many of them.
Belgian director Michaël R. Roskam follows his vigorous Oscar-nominated drama “Bullhead” with an elemental mystery Dennis Lehane (“Mystic River”) adapted from his short story “Animal Rescue.”