Singer and songwriter Hank Williams rises to fame in the 1940s, but alcohol abuse and infidelity take a toll on his career and marriage to fellow musician Audrey Mae Williams.
If you want the real Baker, in all his toothless, selfish, wizened majesty, you’ll find him in Bruce Weber’s extraordinary 1988 documentary Let’s Get Lost.
But as written and directed by Marc Abraham and broodingly shot by the great cameraman Dante Spinotti (LA Confidential, The Last of the Mohicans), the film wears Williams’s unlikeability like some perverse badge of honour, and even Hiddleston’s natural warmth can’t cosy the audience up to a character here seen to be embarked upon a joyless path toward self-destruction.