Think here of "Poltergeist" but without any of the fun.
H The desert subdivision setting is the only interesting aspect of this wan riff on "Poltergeist" and "Paranormal Activity," minus the former's Spielbergian spectacle and the latter's "found footage" conceit.
But it's not tense--especially when Lincoln does a dog reaction shot and then a few long takes of the type that work in movies by Beat Takeshi and, okay, Ozu, but don't really do shit in a Poltergeist rip-off sans children or Spielberg's sense of suburbia on the ropes.
Todd Lincoln's tepid feature debut borrows from some horror standouts of the last 15 years, such as The Blair Witch Project, The Ring, The Grudge, and Paranormal Activity, and some earlier classics, like Poltergeist and The Amityville Horror, but doesn't offer anything new, let alone entertaining.
Like the Paranormal Activity films and their cinematic ancestor Poltergeist, The Apparition takes place in what may be the least naturally atmospheric setting out there — suburban California.
Nods to better films (Poltergeist, Flatliners) and borderline better films (the Paranormal Activity franchise and its crapshoot offspring) do little to burnish Lincoln's horror credentials.