Interestingly, the movie is also the polar opposite of another popular film on a similar subject that appeared a year or so before this one: Liam Neeson's "Taken."
Films like Taken may seem unrealistic and brutal but they’ve also managed to tap into something very carnal.
For me though, Gibson’s avenging dad routine couldn’t begin to measure up to Liam Neeson’s ferocious interpretation of this same role in last year’s surprise box-office smash, Taken.
Warner Bros.' relentless aping of the Taken ad campaign, from the trailers on down to the very color scheme of the one sheet design, for Martin Campbell's big screen adaptation of his own 1980s BBC television miniseries, initially strikes as comical, but after seeing this version of Edge of Darkness, it comes off a bit desperate.
Borrowing in equal parts from Mel’s own “Ransom” and “Payback” as well as the recent and unexpectedly popular “Taken,” “Edge of Darkness” serves up a grim and rather lack luster revenge tale.
A tsunami of raw paternal energy propelled us through 2008's " Taken ," and "Edge" cries out for some of that single-minded force.