'My Blueberry Nights' Four very good actors are trapped in the boundlessly inane "My Blueberry Nights," the first English language feature by "In the Mood for Love" director Wong Kar Wai.
He made Chungking Express, Happy Together, Days of Being Wild, 2046 and In the Mood for Love.
For most of his career, the Hong Kong director has been obsessed with the subject of love, and while that obsession has resulted in some great films (“Happy Together," “In the Mood for Love"), it’s about time he tried something new.
The director of such contemporary masterworks of longing and lost love as “2046,” “In the Mood for Love,” “Chungking Express,” “Happy Together” and “Days of Being Wild,” Wong makes movies where heartache and obsession are communicated through silent stares, pop songs, mood lighting, colorful art direction and even the great hairstyles of the 1960s.
Wong romanticizes urban New York with the same woozy color and retro glamour as his yesteryear Hong Kong of "In The Mood for Love."
Each of these actors contributes vivid portraits, but Wong's focus (as in his exquisite recent films "In the Mood for Love" and "2046") is on mood and detail: on the way Elizabeth takes a deep breath as she enters the cafe, letting us, too, smell its sweetness; on the lollipop colors of Las Vegas and the chalky dryness of a green-felt casino tabletop; on the way melting vanilla ice cream merges with a still-warm pie; and on how, when Jeremy wipes a smudge of that ice cream from the face of a sleeping Elizabeth, the film seems to slow down, as if the world's been suspended.