Gory remakes of marginal quality are something of a specialty for German-born director Marcus Nispel who counts the 2003 redo of "The Texas Chainsaw Massacre" and 2009's "Friday the 13th" among his artier achievements.
Marcus Nispel has found cinematic success not through an original artist's point-of-view, but via his continual mounting of money-in-the-bank remakes such as 2003's " The Texas Chainsaw Massacre " and 2009's " Friday the 13th ."
There’s the horror remake god, a man responsible for giving The Texas Chainsaw Massacre and Friday the 13th a cruel, contemporary spin.
This new movie, while not a direct remake, has a similar feel, though Nispel, whose career has taken him from directing commercials and music videos to remakes for the big screen ("The Texas Chainsaw Massacre," 2003, "Friday the 13th," 2009), ramps up the violence.
As he has shown in his new takes on the cult movies, “The Texas Chain Masscare” and “Friday the 13th,” Marcus Nispul is a craftsman, but not a director who pays much attention to narrative logic or characterization.
Director Nispel has built quite a reputation as the "Remake King" with previous efforts Friday the 13th and The Texas Chainsaw Massacre for Platinum Dunes, but with Conan he proves that it is possible to maintain a respectful balance between homage and reinvention, and perhaps the missteps in his previous reimagingings may have had more to do with Platinum Dunes than his efforts at the helm.