Roth has long advertised his admiration for that repugnant cult classic, going as far as securing its director, Ruggero Deodato, for a cameo appearance in Hostel: Part II .
The Green Inferno arrives in theaters two years after making the festival rounds and a full eight since Hostel: Part II doubled down on everything that made Roth stand out in the first place, giving devotees and doubters alike ample time to brace for this foray into a remote jungle in which meat is very much on the menu.
The Green Inferno is a slacktivist’s nightmare filled with cannibal gore, smoked meats, and red-tinted natives, but more importantly, it marks Eli Roth’s return to directing since Hostel: Part II (2007).
Unlike Roth’s best, most harrowing films (Cabin Fever, Hostel: Part II), which contain plenty of out-of-left-field shocks that double down on their already-queasy storylines, The Green Inferno feels like a retread of a retread.