Green, whose eclectic career ranges from stoner comedies ( Pineapple Express , Your Highness ) to hushed dramas ( All the Real Girls , Snow Angels ) to the recent inspirational biopic Stronger , may seem like an odd choice to helm a horror movie, but he’s a dedicated craftsman, and he’s clearly studied Carpenter’s work closely.
Ever since he leapt from the expressionistic dramas of “George Washington” and “Snow Angels” to the stoner comedy “Pineapple Express,” Green has excelled at importing unexpected filmmaking tactics into unlikely places.
There's Green, the artist ("George Washington," "All the Real Girls," "Snow Angels," "Undertow," "Prince Avalanche"), Green, the cult comedy filmmaker ("Pineapple Express," "The Sitter," "Your Highness") and Green, the Oscar-bait deliverer ("Stronger," "Our Brand is Crisis").
This is because, not only does he trust in Carpenter and Hill’s original conceit, but also thanks to his feel for intimate interpersonal minutia with his work on such films as George Washington , Joe , Prince Avalanche and Snow Angels has made abundantly clear.
(I interviewed Green once for the downbeat indie drama “Snow Angels” and we somehow spent the whole time talking about our favorite ‘80s action flicks.)