Aussie filmmaker Cate Shortland (“Berlin Syndrome”/”Somersault”) directs, with a few pleasing respites, puts on some needed mustard and gives it some light fun, a film I could take or leave even if it’s a not your average Marvel comic book action movie.
Black Widow director Cate Shortland is an Australian filmmaker best known for Somersault , Lore and Berlin Syndrome , all low-key arthouse movies that would reasonably suggest she might have the nous to bring some depth to the proceedings in a big Hollywood studio tentpole film.
The director, Australia’s Cate Shortland (“Somersault”), works in unvarnished closeup and establishes a mood of lurching, desultory anxiety that’s closer to Russian neorealism than the Russo brothers.
Directed by Cate Shortland (who scored an indie hit with “Somersault” in 2004), the film tries to invest Widow’s story with heart and soul as well as jaunty family banter.
Shortland, who showed so much promise with edgy arthouse draws “Somersault” (2004) and “Lore” (2012), connects the dots, but as with Anna Boden and Ryan Fleck doing “Captain Marvel” (2019), her intimate indie style is nowhere to be found under an unending stream of bombastic CGI effects.
It also happens to be far and away the best, Australian director Cate Shortland’s ("Somersault," "Lore") unique blend of goofy humor and exemplary action scenes both leading to world defining, impressively femme-charged change.