But Mr. Miller’s earnest sensibility and solemn style — as exemplified by the Oscar Best Picture nominee “Capote” — here make “Moneyball” one long seventh-inning stretch.
Director Bennett Miller has a strong star in Brad Pitt as the charismatic Beane, and he’s prevailed upon the chameleonlike Philip Seymour Hoffman — who last did “Capote” for him — to play a tough coach.
Director Bennett Miller , whose feature debut was the excellent " Capote ," knows that a tangle of flow charts and on-base statistics isn't going to cut it with audiences, even though that tangle is central to Beane's make-over of the game.
As Beane had traded players and ditched scouts, so did Pitt run through at least three writers Stan Chervin (story) plus Oscar-winning scribes Steven Zaillian and Aaron Sorkin and three directors: David Frankel of The Devil Wears Prada and Marley & Me, then Oceans helmer Steven Soderbergh and finally Capote's Bennett Miller.
Director Bennett Miller has a flat, journalistic approach, which didn�t work at all for me in his previous film, Capote, which deserved more style.
Director Bennett Miller (Capote), picking up after Steven Soderbergh left the production, handles the behind-closed-doors drama with a style that respects the inherent intrigue of the action; there is no false aesthetic manipulation to heighten the film’s heavy exchanges, and as a result Moneyball unfolds smoothly as the kind of baseball movie that even those who couldn’t care less about baseball will find engrossing.