From “The Cabinet of Dr. Caligari” to “The Manchurian Candidate” to the Jason Bourne franchise and now Nima Nourizadeh’s deliriously derivative and irresistible “American Ultra,” these unwary secret agents are drawn from their sleeper cells and discover a talent for killing with impunity.
It dates back (at least) as far as The Manchurian Candidate (1962), and you may also remember it from popular action flicks like The Long Kiss Goodnight (1996) and The Bourne Identity (2002).
Because let's be honest: We're not covering any new ground here; sleeper agents have appeared in movies since The Manchurian Candidate, and stoners have a rich cinematic tradition dating back to Reefer Madness (fine, Easy Rider).
The film is written by Max Landis, son of horror-comedy alchemist John Landis, and it playfully stuffs in references to The Terminator, Blade Runner, The Manchurian Candidate, the Bourne movies and other favorites.
Since the blockbuster success of The Bourne Identity and its sequels (plus The Manchurian Candidate a generation earlier), the concept of a brainwashed agent/assassin has become the hoariest of action tropes.