Director D.J. Caruso ( Taking Lives ) patiently builds suspense, but when the killer shows his hand, the film deteriorates into a typical slasher, complete with jerky angles, blurry footage and ridiculous, near-supernatural chases.
Director D.J. Caruso ("Two for the Money," "Taking Lives," "The Salton Sea") is searching for a mixture of wacky teen skepticism and taught suspense machinations.
Who isn't disturbed by the prospect of D.J. Caruso ( Taking Lives !) helming a Rear Window rip-off for the MySpace generation?
Director D.J. Caruso, who has helmed forgettable fare such as Taking Lives and Two for the Money, strikes all the right keys as the picture makes its transition from comedy to romance to thriller.
Writers Christopher Landon and Carl Ellsworth and director D.J. Caruso (Taking Lives) take the time to develop the characters (with the exception of Ashley, who comes off as a rather one-dimensional fantasy girl).
Caruso’s slide began with the predictable 2004 Angelina Jolie serial-killer sex thriller Taking Lives; the descent quickens with this Rear Window redux that lacks the good grace to acknowledge its source.