Monster (2003)
Directed by Patty Jenkins
In 1989, prostitute Aileen Wuornos befriends and enters a relationship with a young woman named Selby. Determined to straighten out her life, Aileen's limited education lands her back on the corner. She's raped by a trick, who she kills. A string of murder and robbery follows that ultimately leads Aileen to becoming America's first female serial killer.
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What critics compared Monster to
Director Patty Jenkins (“Monster”) manages to work all three angles: She channels “Xena: Warrior Princess” in opening scenes, and wraps up with a fanboy-placating CGI spectacle, but in between, “Wonder Woman” plays it pretty straight, with plenty of humor, heart and old-fashioned heroism.
If there’s a Patty Jenkins commonality – this and Monster are her only two features – it’s a theme of compassion, even for people we think are among the worst of us.
Jenkins, who delved into very dark territory with 2003’s Monster and the series The Killing, brings the doomy DC vibe down to earth from some of its more operatic reaches.
The film, from Patty Jenkins (director of the 2003 film which won Charlize Theron an Oscar, Monster ), works elegantly to share the backstory of the first live action Wonder Woman appearing on film, as introduced in Zack Snyder‘s 2016 film, Batman v Superman: Dawn of Justice , played by Gal Gadot.
Director Patty Jenkins (“Monster”) gets some pleasant banter going between Diana and Steve, and both actors know how to underplay.
Director Patty Jenkins guided Charlize Theron to an Oscar in the 2003 biopic “Monster.”
Just as they did with filmmaker Patty Jenkins, who, following the excellence of her unflinching 2004 biodrama Monster , was forced to toe the multinational party line with Wonder Woman – a vision steamrolled by the machine, distinguished in areas (i.e.
Charlize Theron in Monster…
It’s directed and written by Patty Jenkins (“Monster”) as merely escapist entertainment and with a nod to ’80s nostalgia and fashion.
Cowriter (with "Aquaman's" Geoff Johns and "Godzilla's" Dave Callahan)/director Patty Jenkins (“Monster”) follows up her ground breaking femme centric Super Hero movie with a limp sequel which is a bloated, muddled endurance test.
Smarty and stylishly directed again by Patty Jenkins, who guided Charlize Theron to an Oscar in "Monster," "Wonder Woman 1984" justifiably revels in its feminine power.
Director Patty Jenkins, who directed WW1 and the 2003 Oscar-winner Monster also co-wrote the screenplay, yet she struggles to make the whole shebang really sing.
Whether this is intentional “queer baiting” without putting in the narrative legwork, or whether it’s a case artists trying to smuggle in queer subtext where they might not have been allowed to be overt (my guess is the latter; Jenkins wrote and directed queer serial killer movie Monster, after all), the result is a film whose heteronormativity kneecaps what might’ve otherwise been a thematically cogent story of unrequited love — especially since the film’s magical mechanics frame Minerva’s wish(es) as stemming from a place of deep hurt and betrayal.
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CHICAGO – For Oscar-winning “Juno” writer Diablo Cody, writing “Jennifer’s Body” with “Transformers” star Megan Fox and “Mamma Mia!” star Amanda Seyfried as the two lead women was as much of an out-of-body experience as Charlize Theron’s against-type role in 2003’s “Monster”.
People rightly talk about the courage exhibited by Charlize Theron to play the convicted serial killer in Monster .
Remember that film "Monster" was another earnest but not completely satisfying movie containing a singularly perfect performance.
The Woodsman has a lot in common with last year's Monster.
Bacon's superlative performance is on a par with Robert De Niro's work in "Taxi Driver" and Charlize Theron's in "Monster."