In an irrestibly dark, comedic take on the gang who couldn't shoot straight, this "Big Deal On Madonna Street" meets "Suspect Zero" launches Irish playwright Martin McDonagh into feature films with flair and literary precision.
So what makes "Suspect Zero" any different from "Taking Lives, " "Twisted," "Murder By Numbers," "Along Came a Spider," "The Watcher," "The Bone Collector," "Kiss the Girls, "Copycat," "Se7en," etc., etc.?