On the other hand, the film is impossibly gorgeous, as shot by Eric Gautier, who has made a career out of gorgeous movies that are kind of bad in all other ways (his last project to make much impact in this country was the pancake-flat Che biopic The Motorcycle Diaries ).
The "getting of wisdom" allows for an ample variety of landscapes, and, if Penn's eye for beauty is mostly trite (cathedral lighting ladled on tree trunks, golden sunsets seen out of a boxcar), a good deal of imagery is splashing-the-lens visceral, caught by the splendid cinematographer Eric Gautier with the offhand glow he lent The Motorcycle Diaries .
Cinematographer Eric Gautier (The Motorcycle Diaries, Clean, Those Who Love Me Can Take the Train) favors long lenses here, the kind that can isolate one subject twixt foreground and background and then, dramatically changing their plane of focus, seek out another.
Enhanced by the storytelling of Jon Krakauer and now Sean Penn, the countercultural tale of Into the Wild has some of the same poetry to it as On the Road or The Motorcycle Diaries.
The camerawork is skillfully designed and executed by cinematographer Eric Gautier ( "The Motorcycle Diaries" who takes advantage of the beauty and off beat off-the-beaten-path nature of the locales.