(Solondz would go on to almost directly respond to that worldview with the flawed Storytelling .)
Maybe it didn't help that the following year, Dreamworks released a comedy/drama about not so happy suburbanites of its own, "American Beauty" which, like a lighter, more mainstream "Happiness" knockoff, went on to gather near unanimous praise and win a bunch of Oscars.
Director Sam Mendes ("American Beauty") said he found "Happiness" condescending to its characters, and Solondz took enough umbrage at the remark to make a cinematic retort that merely goes further in its foul contempt for human interaction than "Happiness" did.
The resulting film, ‘American Scooby’, includes sly references to both American Beauty (there’s a shot of a plastic bag floating in the wind) and the acclaimed documentary American Movie (whose Mike Schank also has a bit part as Giamatta’s cameraman).
(Solondz's "cleverest" moves here are attempts at "self-censorship," including a big red block that obscures an on-screen sex scene, and a past-its-prime send-up of "American Beauty."
Solondz also takes a poke at the swirling-paper mysticism of that other, smugly superior critique of suburbia, American Beauty.