Brotherhood of the Wolf (2001)
Directed by Christophe Gans
In 18th century France, the Chevalier de Fronsac and his Native American friend Mani are sent by the King to the Gevaudan province to investigate the killings of hundreds by a mysterious beast.
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What critics compared Brotherhood of the Wolf to
By the time ''Brotherhood'' arrives at the last of its many climaxes -- which somehow involves incest, a Native American burial ceremony, and ''Malena'''s Monica Bellucci as an elite prostitute working as a spy for the Pope -- the only genre left unplundered is the musical.
There's a snooty one-armed count (Vincent Cassel), his nubile sister (Emilie Dequenne) who captures the naturalist's eye, and a vampirish courtesan played by the luscious Monica Bellucci ("Malena").
Between the elaborate battle scenes, Fronsac courts the virginal aristo Marianne (Rosetta's Emilie Dequenne) and pays booty calls to the mysterious Sylvia (Malena's Monica Bellucci).
Other figures to cross Fronsac's path are Thomas d'Apcher (Jérémie Rénier), a young nobleman who joins the newcomer's hunt; Sylvia (the divine Monica Bellucci, the belle from Malena ), a courtesan with a secret mission; and a clergyman, Sardis (Jean-François Stévenin).
Fronsac feeds his baser needs at an elegant brothel, where the mysterious prostitute Sylvia (Monica Bellucci, "Malena") provides psychic as well as physical services.
But, then, screenwriters David Self and Andrew Kevin Walker managed to improve not one whit on Curt Siodmak’s 1941 original script, not to mention those of such films as “The Company of Wolves,” “Wolfen,” “An American Werewolf in London,” “Wolf,” and “Brotherhood of the Wolf” all of which found sparks of energy and interest in lycanthropy.
Nods to Japanese horror movies aboundâcreepy undead schoolgirls, bent-limbed bogeymen, wronged spirits bent on revengeâand director Christophe Gansâ (from the equally incoherent but infinitely more entertaining Brotherhood of the Wolf) visual style and production design goes a long way in making up for the deficiencies of Roger Avaryâs script, but this is still Hellraiser Lite.
Written by Tarantino associate Roger Avary and directed by Christophe Gans (of the admirably over-the-top cult hit "Brotherhood of the Wolf"), "Silent Hill" has a pedigree better than most game adaptations, and I jotted in my notes that it starts off with an air of respectability, even legitimacy.
He’s no Uwe Boll, but French director Christophe Gans (“Brotherhood of the Wolf”) has certainly fallen to the same level with his adaptation of the popular survival-horror video game, “Silent Hill.”
Either the film was downright junk, or just a bit too weird (in some of the same ways as Gans' prior effort, Brotherhood of the Wolf).
Director Christophe Gans ("Brotherhood of the Wolf") and his fellow screenwriters have also concocted a dual story line in which Rose's husband (Sean Bean) tries to convince local police authorities to help him search for his missing wife and daughter.
It comes as no surprise that the film was directed by the French filmmaker Christophe Gans, whose similarly good-looking but disappointing "Brotherhood of the Wolf" was the highest grossing French film ever and was, like "Hill", also too long for its own good.