Your mileage my vary, but I have to go all the way back to 1999’s Any Given Sunday to find a really great feature that bore his name, and after the loud flop of Alexander (a movie he’s recut and re-released into approximately forty-seven different version) and the odd detour of World Trade Center, he began what looks like a campaign, conscious or not, to recreate his past successes.
Some of his best works (JFK, Nixon, and even Any Given Sunday, his take on the NFL) have taken real stories of shadowy abuses of power and blown them up to operatic proportions.
The film doesn't feel as if it was shot out of a cannon, like his raucous '90s output (best being the wildly indulgent "Natural Born Killers," worst being the gassy, overbearing "Any Given Sunday").
He takes a firm stance with "Snowden," his best feature film since 1999's "Any Given Sunday."
Stone followed Natural Born Killers with the very good Nixon , another portrait of an American icon, and then went on to make a handful of sometimes interesting but lesser films — the bonkers genre flicks U-Turn and Savages , the football exposé Any Given Sunday , the Bush-biopic W. , the respectful 9/11 drama World Trade Center .
In the case of “Snowden,” however, most of them do, making this biopic/thriller the director’s most consistent movie he’s made since 1999’s “Any Given Sunday.”