The Sopranos (1999)
The story of New Jersey-based Italian-American mobster Tony Soprano and the difficulties he faces as he tries to balance the conflicting requirements of his home life and the criminal organization he heads. Those difficulties are often highlighted through his ongoing professional relationship with psychiatrist Jennifer Melfi. The show features Tony's family members and Mafia associates in prominent roles and story arcs, most notably his wife Carmela and his cousin and protégé Christopher Moltisanti.
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What critics compared The Sopranos to
Yet it refuses to answer any questions and instead fades to black like the last scene of The Sopranos.
The film's noncommittal ending will make fans of The Sopranos shudder in traumatic recognition.
…she affirms The Sopranos’ axiom: therapists have problems, too…
…a cut reminiscent of 'The Sopranos' finale…
Mob grunts have not been this funny since The Sopranos’ Michael Imperioli and Tony Sirico ate mayonnaise packets to survive a night in the woods in the famous “Pine Barrens” episode.
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…while the see-sawing between Ted Lasso-style positivity to Sopranos-grade acrimony results in tonal whiplash…
…it will spread and provoke discussion, much like Game of Thrones, Succession, The Sopranos, and the other classic HBO shows…
It’s an understated death for a Pantoliano character, particularly one featured on an HBO show. (No spoilers, but fans of another HBO series will get that reference.)
Mickey 17 sounds kind of like Paulie from The Sopranos at times…
If Christopher Moltisanti found “the fuckin’ regularness of life” to be “too fuckin’ hard” for him, Mark thought of it as a series of nonsensical nuisances that were far beneath him.