For one, “Rogue Nation” may have more humor than any of the previous four films combined (though 2000’s “Mission: Impossible II” will always hold the record for unintentional humor.
A late game motorcycle chase is a fond reminder of John Woo’s eternally underappreciated “M:I-2”, Joe Kraemer’s score is lovingly fashioned from that of De Palma’s original film, and Cruise’s instantly famous airplane stunt knowingly ups the “Mission: Impossible” ante in a meaningful way.
That sense of continuity runs throughout the picture, which plays, in spots, like a synthesis of the series to date: the vertigo-inducing set pieces of Ghost Protocol, the hominess of M:I III, an exquisitely stylish and timed-to-the-nanosecond impenetrable fortress penetration sequence in the style of the Langley operation from the original, even a climactic motorcycle chase as a shout-out to the much-derided M:I-2.
Maybe it's gimmicky, but there is an extra kick knowing that the star does so many of his own stunts (recall the cliff-climbing opening of "Mission: Impossible II").
Rather than devolving into a bombastic bore like the overcooked Mission: Impossible II , Rogue Nation so closely follows the gait set by Bird’s outing that further crimes against punctuation are the only thing keeping the title from being Mission: Impossible – Ghost Protocol (Part II) .