Lost in Space (1998)
Directed by Stephen Hopkins
The prospects for continuing life on Earth in the year 2058 are grim. So the Robinsons are launched into space to colonize Alpha Prime, the only other inhabitable planet in the galaxy. But when a stowaway sabotages the mission, the Robinsons find themselves hurtling through uncharted space.
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What critics compared Lost in Space to
Make no mistake, these are still two-dimensional characters with one or two defining traits: Amanda (Deborah Ann Woll, TV’s True Blood and Daredevil ) is a war veteran, Zoey (Taylor Russell, Netflix’s Lost in Space ) is intelligent but introverted, Ben (Logan Miller, Scouts Guide to the Zombie Apocalypse), is frazzled and apathetic, Danny (Nik Dodani, Alex Strangelove ) is an escape room expert for some reason and Mike (Tyler Labine, Tucker and Dale Vs.
A brief opening act lets us meet the shy but very smart Zoey (Taylor Russell of “Lost in Space”), the high-powered stock broker (Jay Ellis of TV’s “Insecure”) and embittered grocery strockroom drunk Ben (Logan Miller).
There’s Zoey (Taylor Russell of Netflix’s Lost in Space ), a shy-genius college student.
Some, like veteran escape room player Danny (Nike Dodani, Alex Strangelove ) and savant physics student Zoey (Taylor Russell of Lost in Space ) are helpful; veteran Amanda (Deborah Ann Woll, True Blood, Daredevil ) is an asset to the group but has her own secrets; and friendly dad-type Mike (Tyler Labine, Tucker and Dale vs. Evil ) tries to keep spirits high.
Enter Zoey (Taylor Russell of TV’s good, not great “Lost in Space”), a math and physics whiz so shy she can barely bring herself to speak in class (perhaps it’s because her teacher comes across as way too creepy).
Based on the 2015 YA hit novel by Camille DeAngelis adapted to the screen by director Luca Guadagnino’s frequent collaborator David Kajganich (“Suspiria”), “Bones and All” starts out sometime in Reagan-era Virginia when its heroine Maren (Taylor Russell (TV’s “Lost in Space”) gets out of her room in which she had been locked by her father to attend a sleepover with a friend, who seems to have a crush on her.
Taylor Russell ( Waves , Lost in Space )stars as 18-year-old Maren, a cannibal adolescent whose father (played by André Holland) leaves with no other means to help his unique daughter.
Taylor Russell (who played Judy Robinson in the Netflix reboot of the space sci-fi series Lost in Space ) is Maren, abandoned by her father (Andre Holland) after she turns 18.
Set in the early 1980s, the story begins with 17 year-old high schooler Maren (rising star Taylor Russell, from Lost In Space ) sneaking out for a girly sleepover and getting very cosy with her female classmate, in a scene that seems like it’s setting up a charming, intimate and female-focused coming-of-age / coming-out story.
For someone familiar with The Thing 1982, you spend a lot of the time watching the new one waiting for something new to happen, and when it does, it totally whiffs it (the climax in the UFO is unforgiveably sloppy, with special effects that reminded me of 1997’s Lost In Space, not Rob Bottin).
On the other hand, I don't suppose that even just two years later, anybody still cares, just like I probably hadn't thought about Lost in Space for the better part of a decade prior to researching this paragraph - truth be told, I thought that U.S. Marshals was the film to knock out Titanic , and I'll bet that's another movie that nobody has thought of since some time in 1999.
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There, for reasons I couldn’t quite work out, a previous explorer (played by an uncredited major star: IMDb it unless you’re spoiler-averse) attempts to sabotage Cooper’s mission, and suddenly we’re into a hyper-austere remake of Lost in Space.
Nolan pumps the film with intensity that rivals last year’s “Gravity,” but “Interstellar” finds a closer bond with “Lost in Space” than the Sandra Bullock thriller.
Setting his bigger-than-life sights on a high-concept space genre flick, director Christopher Nolan appears to have cribbed the smarter parts of the scripted Lost in Space movie before retrofitting it with The Hand of God.
It can be thought-provoking life After Yang , menacing like 2001: A Space Odyssey , or could flip about in between, such as Lost in Space .
It’s like watching a rerun of “Lost in Space.”
And despite the similarities to the kicking off point of the TV show "Lost in Space," it's not an act of sabotage that alters the mission of planet colonists.
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The gambit culminates in an astonishing sequence that juxtaposes a garish script reading in LA (complete with a blinking “Lost in Space”-type robot) and dire footage of anti-American militants in Iran.
Unfortunately none of the networks wanted to carry the torch, but with brisk sales of the DVD version of the series, Universal decided to get a big screen version into production, and if word of mouth ends up carrying Serenity into big numbers, all those networks may end up feeling like CBS after they decided to go with Lost in Space instead of Star Trek.