Directed by James Cameron (the Terminator films, The Abyss), who approaches the creation of entertainment the way that some people approach nuclear engineering (and with roughly the same budget), the movie is a high-powered amalgam, combining the far-fetched acrobatic nihilism of a James Bond adventure, the bullet-spattered pow! of an action thriller, and the buoyant screwball charm of Romancing the Stone ? the whole concoction laced with a gee-whiz humor that owes more to late-night televison than to any cinematic genre.
This 1994 action-comedy blockbuster has actually become a bit forgotten in the oeuvre of uber-filmmaker James Cameron (“The Terminator”, “T2”, “Aliens”, “Titanic”, “The Abyss”), in the years since.
Director James Cameron doesn’t have too many films to his name (though they each pack a wallop, including “The Terminator,” “Aliens,” and “The Abyss”), but each one, with a smartly rounded dose of suspense and comedy, certainly sets a benchmark for their various genres.
Cameron, maker of "Aliens," "The Abyss" and both "Terminator" movies, ratchets up the 007 ante to brilliant, but increasingly crazy, heights.
Regissør James Cameron ("The Abyss", begge "Terminator", "Titanic", "Aliens") er kjent for å levere produksjoner av høy standard - ikke minst når det gjelder visuelle effekter; og her er det ingen tvil om at løpet kjøres HELT ut :) Schwarzenegger har, som de fleste vet, tidligere jobbet med James Cameron i både "Terminator", og "Terminator 2".
Teroristi u "True Lies" su isto što i izvanzemaljci u "The Abyss" - distrakcija koja dodatno komplicira stvari među supužnicima, ali i omogućuje redatelju najnapredniju akciju/vizualne efekte.