Mrs. Parker and the Vicious Circle (1994)
Directed by Alan Rudolph
Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.
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What critics compared Mrs. Parker and the Vicious Circle to
The French Dispatch enshrines New Yorker elitism: First, through the idea that its writing is impeccable; then its emotionally confused aristos (the ultra-bourgie types that Alan Rudolph humanized in his Dorothy Parker biopic Mrs. Parker and the Vicious Circle ) speciously represent the common humanity that once made Anderson’s films so poignant.