Forget that the basic plot, about a dying researcher whose consciousness is uploaded into a computer, bears a certain resemblance to the 1992 techno-thriller The Lawnmower Man .
The densely plotted screenplay by Jack Paglen — another first-timer — is built squarely on the bones of classic Technology Is Scary movies from “Soylent Green” on, with an unacknowledged debt, perhaps, to “The Lawnmower Man” (1992).
Didn’t “The Lawnmower Man” cover remarkably similar ground in 1992?
Playing like a somber, meditative update of that nutty 1992 virtual reality schlocker The Lawnmower Man, Transcendence introduces us to Will (Johnny Depp) and Evelyn (Rebecca Hall) Caster, who form a “brilliant” scientific duo working on a ground-breaking advancement in artificial intelligence.
The concepts of humans and technology becoming intertwined is interesting, and the hope is that this could not only entertain but make us think about our own future, like “The Terminator” films (the good ones, anyway) or even “The Lawnmower Man” (honestly haven’t seen it in 15 years but remember that movie??)…however the storytelling is dull and never really engages the viewer, and it’s forays into a horror/sci-fi feel late in the film seem preposterous instead of climactic.
The first feature by cinematographer Wally Pfister (“Inception,” “Moneyball,” “The Dark Knight Rises”) suffers from a script aiming for present-tense future shock that mashes up an unholy hybrid of movies past and clichés everlasting, notably “The Lawnmower Man” and “An Inconvenient Truth.”