Three more very solid comedies would follow -- Dirty Rotten Scoundrels, What About Bob? and Housesitter -- before Frank tackled family fare once more with The Indian in the Cupboard.
Behind the camera for high-concept star vehicles (“Bowfinger,” “The Score,” “Housesitter,” “The Stepford Wives”), Frank Oz seems as stiff and uncomfortable as when he handled one prophylactic … soiled … in “The Blues Brothers.”