Like Gus Van Sant's Good Will Hunting and Jodie Foster's Little Man Tate, Marc Webb's Gifted reflects a thin, Hollywoodized vision of genius as an exceptional ability to solve complex calculus problems on a blackboard, usually while a stuffy professor looks on in stunned silence.
Yet the movie, like Jodie Foster’s similarly themed “Little Man Tate” (1991), doesn’t deepen or explore its central whiz kid’s experience.
You may or may not remember Jodie Foster’s 1991 film Little Man Tate having essentially the same plot.
But this contrived mashup of "Proof" (earth-shaking algorithms), "Kramer vs. Kramer" (nerve-wracking custody battles) and "Little Man Tate" really isn't much.
And as executed, the premise plays rather differently—more of a “ Kramer vs. Kramer ” meets “ Little Man Tate ” vibe.
The filmmakers seem well aware of the long tradition of movies about troubled but exceptional young minds, from “Little Man Tate” to “Good Will Hunting.”