The longtime Hong Kong director of such action films as "A Better Tomorrow," "The Killer," "Bullet in the Head," and "Hard-Boiled" came to Hollywood in the early '90s and made "Hard Target" and "Broken Arrow" before turning to "Face/Off."
In The Killer, Bullet in the Head, and Hard-Boiled, Woo amplified the emotional intensity by using wide-angle lenses and a shallow depth of field, eliminating objectivity and implicating the viewer in the mayhem.
Films like The Killer (1989), Bullet in the Head (1990), and Hard-Boiled (1992) are so damn good that Hollywood would never allow their like to be made again.
"John Woo: A Life in Pictures" (26 mins.) is premature, to say the least, but offers a surprisingly broad overview of the HK auteur, paying particular attention to Woo's nominal artistic triumph Bullet in the Head.
Many of Woo’s American films are suitable demonstrations of his hyperkinetic aesthetic, 1997’s Face/Off in particular, in which Woo’s proclivity towards excess is most clearly manifested.
In John Woo's most recent U.S. film, "Face/Off," John Travolta and Nicolas Cage transformed into each other, via mannerisms and plot devices.