A pair of witches descend upon a family and wreak havoc. Now it's up to the family's matriarch, a private detective, and a suspended police officer to stop them.
In Larry Cohen’s more coherent horror-comedy Wicked Stepmother (1989), Bette Davis reappears in the person of Barbara Carrera, but the change is clearly presented and fully explained, while the introduction and reappearance in Get Out are not.
Armond White, Jim Geraghty, The Editors, Jeffrey Blehar•National Review•Feb 24, 2017