In 2004, The Criterion Collection put the film back into its proper perspective with this landmark two-disc set, their third Cronenberg title after the now out-of-print Dead Ringers and last year's Naked Lunch.
Looking at Videodrome in the context of the director's later work, what's most striking is how closely the almost musical rhythms and camera movements match those of, say, Dead Ringers and Crash.
But Cronenberg couldn’t have achieved his stature without some great films along the way: “The Dead Zone” (1983), “The Fly” (1986), “Dead Ringers,” “Violence” and “Promises.”
These days he's still kicking much ass on films like Eastern Promises and A History of Violence, but the Canadian-born David Cronenberg started his career with one hell of a genre streak: Shivers (1975), Rabid (1977), The Brood (1979), Scanners (1981), Videodrome (1983), The Dead Zone (1983), The Fly (1986), and Dead Ringers (1988).
David Cronenberg ("The Fly"/"Videodrome"/"Shivers") bases this intense psychological medical drama on a true story about identical twin gynecologists Stewart L. Marcus and Cyril C. Marcus, whose decayed bodies were found in their posh East 63rd Street pad.