A traveling couple end up in an abandoned Nebraska town inhabited by a cult of murderous children who worship a demon that lives in the local cornfields.
Jonathan Elias' memorably shrill score frequently rips off the satanic chanting from "The Omen" (1976), and it is given substantial room to breathe here, but the action scenes toward the end have no real impact and are let down by this track.
So what exactly does "Children of the Corn" have that, say, "Carrie" (1976), "The Shining" (1980), or "Misery" (1990) don't that has led to its never-ending legacy of follow-ups.
So what exactly does "Children of the Corn" have that, say, "Carrie" (1976), "The Shining" (1980), or "Misery" (1990) don't that has led to its never-ending legacy of follow-ups.