After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.
As for Lawrence's initial transformationa centerpiece of any respectable lycanthropic yarnit leaves one merely aloof by the choice to go with CGI that doesn't come close to approaching the realism, ingenuity and fright of makeup artist Rick Baker's masterful practical effects in 1981's "The Howling" and 1982's "An American Werewolf in London."
The landlady in that opening scene is Dee Wallace, an icon of early ’80s horror for Joe Dante’s film “The Howling,” still one of the best werewolf movies ever made.
Much later, experimentally altered humans turning into raging monsters enter the picture and might remind some of those disturbing werewolves in "The Howling."
Additionally, the New Orleans setting is sultry and evocative, while the transformative creature effects rival those found in 1980's "An American Werewolf in London" and 1981's "The Howling."