The premise on paper seems simple enough but like Collin Higgin’s Nine to Five , a better film that you’re sometimes reminded of, care has been taken to circumvent obvious advances in the story.
An exercise in the fashionable Hollywood in-your-face lewdness associated with the envelope-pushing Judd Apatow, this business world comedy is a switch on Nine to Five , the 1980 feminist movie in which Jane Fonda, Lily Tomlin and Dolly Parton kidnap their exploitative chauvinist boss.