A wanna-be concert pianist spends his days making a living by collecting debts for his Mafioso father, a lifestyle that could eventually ruin his dreams of a musical career.
If James Toback's petty-criminal tale "Fingers" inspired Jacques Audiard's previous "The Beat That My Heart Skipped," it's Martin Scorsese's "Goodfellas" that looms over his latest "A Prophet."
Audiard may have had the stones to tweak Jim Toback 's Fingers in '05 (with the racy The Beat That My Heart Skipped), but here, his approach to cinematic '70s-isms is slavish—and downright corny.
The Gambler remakes Karel Reisz’s gritty 1974 film of the same title, which was based on a semi-autobiographical script by the irrepressible James Toback, who went on to write and direct 1978’s Fingers and a number of provocative indies in the late 1990s and early 2000s, including Two Girls And A Guy, Black & White, and Harvard Man.