Youth is a good bit like Fellini’s 8 1/2 (1963) and has elements of Ken Russell’s Mahler (1974) — with maybe just a touch of Visconti’s Death in Venice (1971) — but is ultimately, its own beautiful thing.
This Ken Russell film (1980) is just as much a camp joke as Lisztomania or Mahler, but this time nobody's laughing, perhaps because Paddy Chayefsky's screenplay provided the first recognizably realistic context for Russell's obsessions since Women in Love.