An aging hood is about to go back to prison. Hoping to escape his fate, he supplies information on stolen guns to the feds, while simultaneously supplying arms to his bank robbing chums.
Affleck combines visceral excitement, bracing authenticity, and an ambiance of malice and dread to make what might be the best movie set in Boston since The Friends of Eddie Coyle — and that includes his own Gone Baby Gone .
He includes a nod to that decade's Boston-set "The Friends of Eddie Coyle," a melancholy crime drama that would have laughed this movie's sentimental ending right into the Charles River.
His latest, a quietly powerful examination of grief healed by a brothers' bond, is not only an emotional character-driven drama, but the best realization of Massachusetts on screen since "The Friends of Eddie Coyle."