It seems that Ben (John Hurt, in probably the most comfortable role available to an actor since Timothy Bottoms’ limbless, bed-ridden soldier in “Johnny Got His Gun”) has suffered a stroke in the attic and can no longer speak, and his wife Violet (Gena Rowlands) needs help taking care of him.
In a superb feature debut, writer-director Danis Tanovic has brought us what is probably the best anti-war film since "Johnny Got His Gun" with a powerful demonstration of how it boils down to individual combatants whose personalities and character are recognizable amidst the fears and terrors of warfare.