Masculin Féminin (1966)
Directed by Jean-Luc Godard
Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.
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What critics compared Masculin Féminin to
“Revisions to a Manifesto” draws on Jean-Luc Godard’s Masculin féminin —even borrowing Chantal Goya’s pop song, “Tu m’as trop menti.”
On the other hand, it reminded me of “Masculin Féminin,” one of my favorite Godard movies.