Beatles music is offered in every stripe of venue, from living rooms to small stages to recording studios big and small to a referential rooftop to the film's Wembly Arena climax, but not much has been done to make it fresh with the exception of the desperation and angry energy Patel gives to "Help!" (Nor, for that matter, is any effort made to analyze any difference in reception fifty years would make.)
), Jack in the recording studio performing an amped-up montage of tracks from “Meet the Beatles,” Jack turning “Help!” into a speedy punk anthem, Jack’s running attempt to piece together the lyrics of “Eleanor Rigby.”
And Patel, who does all his own singing, also does these famous songs justice (his rendition of "Help!," taken at punk-rock velocity, is a worthy footnote to the original track).
When Jack straps on an electric guitar and performs a sizzling rendition of “Help!” the feeling is exhilarating.
That the Beatles songs were full of surprises, of pain and doubt instead of just sunshine, is something that Yesterday only acknowledges when Jack performs a live “Help!” that actually has some conviction as a cri de coeur (even if his backing band does make it sound more like a middling Lemonheads number).
Every time we hear “In My Life” or a rocking “Help!” or “I Want to Hold Your Hand” we say, “That sure is a great song” and forget for a moment that the movie is not very good.